Hot Air: Aaron Sorkin's Underwhelming Newsroom
HBO has taken us to some fanciful places during its recent ratings resurgence, from the vampire-blood-stained bayou of True Blood to the violent kingdom of Westeros on Game of Thrones. But in terms of pure fantasy, neither holds a candle to The Newsroom, the new series from writer Aaron Sorkin and producer Scott Rudin. Although the program — which focuses on the backstage shenanigans at a popular cable news show — is ostensibly set in the real world, the true backdrop is one that should be familiar to fans of The West Wing (not to mention survivors of Studio 60). It’s pure Sorkinstan, an overwritten utopia where all names are alliterative, all dialogue is charged, and the call sheet runs wild with all manner of mythical creatures, including the Liberal Republican, the Gun-Toting Manhattan Lefty, and a preponderance of Twentysomethings Who Reference Musicals. But the biggest flight of fancy here is the one Sorkin seems most invested in: that television audiences are desperate not only to relive recent history, but to watch him attempt to pompously rewrite it.
THE BACKLASH ERA: SMELLING SORKIN BLOOD
The knives are out. With the bloodlust-crazed Twitter lynch mob prowling the streets, fresh blood must be provided. It has been several days since Adam Carolla offered himself as a human sacrifice so a new victim was needed. And there is no more backlash-ready target than America’s Bard of Smug and Safely-Distant Meritocracy, Aaron Sorkin.
A blast from the past: