The trouble with True Crime: Assassins and serial killers

While history ignores the assassin, justice at least has it that no assassin can become more famous than his victim. By way of proof, who can recall, off-hand, the identities of those who killed Thomas à Becket, or Mahatma Gandhi?

Brian McConnell, The History of Assassination

It is good that this is so. We should remember and celebrate builders , not destroyers. That seems to be a very basic requirement for a healthy society.

David Gelernter:

What matters is our communal response to the crime. Evil is easy, good is hard, temptation is a given; therefore, a healthy society talks to itself.

Such ritual denunciations strengthen our good inclinations and help us suppress our bad ones. We need to hear them, and hear good acts praised, too. We need to hear the crowd (hear ourselves) praising good and denouncing evil.

So what should we make of popular true crime? Here, the victims are almost forgotten and nearly nameless. The killer is the star, often gifted with a headline-grabbing nom de guerre which adds a touch of unearned glamour to their infamy.

Simone Weil:

Imaginary evil is romantic and varied; real evil is gloomy, monotonous, barren, boring.

Popular true crime follows popular fiction. Mindhunter is Silence of the Lambs with a patina of history and a large dose of truthiness.

We draw so many of our ideas about the world from what we see in the mass media and mass culture. One of the most disturbing aspects of this is the manner in which serial killers are often glorified and glamorized--through a process in which they are depicted as Super Males, even Supermen....Dr. Hannibal Lecter bears no resemblance to the defective, limited, unfeeling, and ungifted persons who are the overwhelming majority of multiple killers.

Elliott Leyton, Hunting Humans

Bundy, Dahmer and Gacy are dead and yet they are the stars of movies and streaming documentaries. They are celebrities in the truest sense of the word.

Aaron Haspel:

In an age of almost unimaginable abundance, celebrity is the last scarce good. Is it any wonder that people pursue it, and proximity to it, so assiduously?

We know that for some killers posthumous celebrity is something they think about (The media's vile calculus: If it bleeds, it leads and leads to more blood .) More than one serial killer was willing to risk capture in order to grab press attention and notoriety.

Is this good for society? Or does it suppress the social immune system Gelernter writes about?

A crude culture makes a coarse people, and private refinement cannot long survive public excess. There is a Gresham's law of culture as well as of money: the bad drives out the good, unless the good is defended.

Theodore Dalrymple, Our Culture, What's Left of It